Philip Hale's Boston Symphony Programme Notes

part is accompanied by a broken chord figure in the left, and wood-wind

instruments play against this in triplets.

III. _Allegro scherzando_, C minor, 4-4. There are introductory measures, and the first motive is for the pianoforte. This motive is developed. The second motive is for oboe and violoncellos, and is taken up later by the pianoforte and leads to figuration in tripl...