The Philosophy of Fine Art, volume 3 (of 4)

INTRODUCTION

The objects treated by our science in the _first_ part were the general notion and the reality of beauty in Nature and art, in other words beauty in its truth, and art in its truth, the Ideal in the as yet undeveloped unity of its fundamental principles, independent of its specific content and its distinguishing modes of envisagement.

This essentially genuine[1] u...