The mediaeval stage, volume 1 (of 2)

part in it. This is noteworthy, because it gives the real measure of

the difference between the Teutonic and the Roman entertainer. For a Nero to perform amongst the _scenici_ was to descend: for a Hrothgar to touch the harp was a customary and an honourable act.

The singing did not cease when the English came to these islands. The long struggle with the Britons which succeede...